When Seyi Shay walked out of her former church, it wasn’t over doctrine - it was the music. The singer revealed on Instagram that she left after a church leader insisted on ditching modern praise songs in favour of traditional hymns. Her decision sparked a conversation beyond style: it probes the roots of worship and its ties to painful histories.
Seyi Shay’s sharp critique of traditional hymnody raises questions about what — and who — we uplift during worship. It’s not just a personal choice; it’s a cultural reckoning.
Key Takeaways
- Seyi Shay left her previous church due to its rejection of modern gospel music.
- The singer linked some traditional hymns to slavery-era oppression.
- She urged believers to research the origins of religious songs.
- Her comments sparked mixed reactions, with some backing her historical perspective.
- The issue has reignited debate over how churches balance heritage with healing.
Whether you agree with her or not, Seyi Shay’s stance invites us to reconsider how inherited songs shape present-day faith.
